S2E2: Virginity and the Hype About Hymens in Early Christianity

 
 

With Dr. Julia Kelto Lillis

In Episode 2, we ask “to whom does a woman’s virginity belong”? Join Dr.  Julia Kelto Lillis and your hosts as we dive into the world of ancient purity culture, what wine has to do with the V-Card, and why the gods like to make babies with virgins. 

Like today, the concept of virginity was culturally significant in the ancient world. But unlike today, virginity as an act of devotion to God could propel a woman to the top of the social ladder.  We explore shifting ideas about what makes someone a virgin and the importance of virginity to the early Christian movement.

 
Virginity is a concept that seems not to be going away as societies enter the twenty-first century. But what it is, it turns out, has always been multiple meanings—flexible, usable for a lot of different purposes. And whether it sticks around a long time as a concept or not, it seems like the possibilities are endless.
— Dr. Julia Kelto Lillis


BIO

Dr. Julia Kelto Lillis is Assistant Professor of Early Christian History at Union Theological Seminary, where she specializes in gender and sexuality in early Christianity. Her book Virgin Territory: Configuring Female Virginity in Early Christianity, won the Best First Book Prize from the North American Patristics Society and the American Historical Association’s 2024 Prize in History prior to 1000 CE. She also received the American Society of Church History’s Jane Dempsey Douglass prize for one of her articles, “Paradox in Partu: Verifying Virginity in the Protevangelium of James.” Her second book will analyze ideas of genderless personhood that early Christians imagined for heavenly or earthly human life. She holds a BA from St. Olaf College, an MDiv and ThM from Princeton Theological Seminary, and a PhD in Religion from Duke University.

 
 

Cover Image:

Arguably

the most famous virgin in Western history, Mary the Mother of Jesus was the inspiration for countless works of art. In this Renaissance painting, the artist wraps her in a cloak embroidered with cherubim to signify her holy status, and he depicts her as youthful and serene—signals of her perpetual virginity, which the Catholic Church taught.

Image Credit: “Madonna and Child with Angels,” by Pietro di Domenico da Montepulciano. 1420 CE. Tempura painting on wood. The Metropolitan Museum of Art, Rogers Fund, 1907, accession number 07.201. No copyright. OA public domain.

 

Women Who Went Before is written, produced, and edited by Rebekah Haigh and Emily Chesley. The podcamusic is composed and produced by Moses Sun.

Sponsored by the Center for Culture, Society, and Religion, the Program in Judaic Studies, the Stanley J. Seeger Center for Hellenic Studies, and the Committee for the Study of Late Antiquity at Princeton University

Views expressed on the podcast are solely those of the individuals, and do not represent Princeton University.

 
Previous
Previous

S2E3: Veiled But Not Hidden in Ancient Greece

Next
Next

S2E1: Wandering Wombs: Greco-Roman Gynecology and Women’s Health